the light inside the dark

More moths. Not every day, but at least once a week. I’ve taken to leaving the light on in this lady 24/7, because the moths like the dark.

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It occurred to me recently that I hadn’t photographed her with the light on since last year’s great moth-proofing effort. So there she is: several layers of acrylic fabric stiffener over felted wool, over doilies crocheted from fingering-weight yarn, over rusty wire, with an 11-watt compact fluorescent lightbulb hanging in the middle. More than the sum of her parts (as we all are).

I just finished reading The Light Inside the Dark by John Tarrant, and I’m feeling inarticulate. I had to take a break from the group I was reading it with. They weren’t having any of the seventeen conversations I wanted to have, and I felt unable to start the conversations myself.

Maybe I already said a lot of what I could say about that book anyway, before I even read it, with this sculpture.

Maybe words are overrated.

Recently I seem to have become the kind of person who’ll dance in public, and not necessarily in a polite and sedate way. “With some people, you can tell they’re holding back,” someone said to me last night, after the music had stopped and we were getting ready to go home. “But not you.” Old Me would have been deeply embarrassed. New Me shrugs and says maybe I’m old enough to start experiencing the Life Changing Magic of Not Giving a Fuck.

Tarrant says:

We need the patience to bless even our weakness, this odd weakness that seems to come not when we are helpless, as it does in the darkest night, but when we are full of strength and rising.

Last time I saw E, I cried for half an hour before I was able to say anything. She said she respected my bravery. “You’re the only person in the world who ever says anything like that to me,” I complained. “What the fuck is wrong with you? What are we turning me into? How am I supposed to be in the world like this?”

“I love you too,” she said. I hated her so much in that moment.

I am a hot mess, but not so most people would notice. I put on my boots and drive my car to the supermarket or the bank or the hardware store. I stand up straight and I smile, and it’s not an act because I really do feel pretty good a lot of the time.

And I also feel shitty and toxic, and I wish I could explain how it’s possible for the two states – light and dark – to exist at the same time and in such close proximity, and not cause some sort of explosion.

I feel like I outgrew the loneliness I was born with, and traded it in for a bigger loneliness. I’m constantly tripping over its hem and discovering odd things in its pockets: a blue bug, a red car, a long-forgotten granola bar, the sound your mother made when your head popped out of her.

bug sketches

After finding six moths in my studio in the other day (quelle horreur!), I took my wooliest sculpture down for an inspection. Didn’t find anything awful, but there’s a lot of interior real estate that I can’t really see. So I gave her another coat of acrylic and hung her back up.

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The next night, I dreamed of finding a small blue beetle in an envelope in my mother’s attic. I took it downstairs to let it go in the backyard. Before I opened the back door, I peeked inside the envelope. The beetle had turned into a small dragonfly. Out in the yard, I held the envelope upside down and shook it. A large butterfly came out. It picked up a rubber ball that had been lying in the grass, and it flew away.

Because of that, and because my house reeks of polyurethane, I’ve been in the studio this weekend drawing bugs on scraps of canvas. None of them are bigger than six inches square. I’m using Sharpies, of course, but also various other kinds of permanent markers. And Wite-Out pens. Because apparently I am meant to be inhaling noxious fumes right now, one way or another.

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A year ago I was having carpal tunnel issues and mostly doing blind contour drawings because it was easier on my hand. It was so much fun that I kept doing it. Now I’m constantly having to remind myself that I need to look at the surface I’m drawing on.

I haven’t seen any more moths since those six on Friday,which is both a relief and a mystery.

nine months

When I discovered how bad the moth problem had gotten in my studio, I hung one of my wool-covered wire sculptures in a lilac bush in front of my house. I planned to photograph it every month for a year. And I did, for many months, even though I sometimes felt it was kind of boring.

This month, boredom almost stopped me. I wasn’t going to take a picture, but I did go out and look at it. And it was covered with snow, which was different. So here is a picture:

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eight months | seven months | six months

five months | four months | three months

two months | one month | the beginning

six months

I was going to go for a walk, but it started pelting cold little raindrops on me before I got to the end of the driveway. So I took this photograph and came back inside:IMG_0625

I saw two moths in the studio a couple of weeks ago. Neither of them ended up in the trap. I’m not sure what to make of that. I hope they’re not a sign of an impending moth population explosion.

five months | four months | three months

two months | one month | the beginning