a prayer

This is from a canvas I’ve been working on – a sort of pandemic diary:

The words came to me while I was drawing:

i pray for enough light and courage to take one small step

 

the thing with feathers

I think we had been working together for about six months, and I had mostly been feeling better. But suddenly it was fall, and I was feeling apocalyptically bad. I couldn’t stop crying.

“This is what healing looks like,” said E, very gently.

I kept crying. A great sodden pile of tissues filled up the wastebasket between us. At some point I noticed that she was smiling. “Why?” I asked. “Why are you smiling like that, when I’m so miserable?”

“My heart is singing,” she said. She was looking at me like I was a very new baby who had just done something totally amazing, like maybe unleashed a tiny little belch.

I cried all the way home. When I got home, I got in the shower to avoid having to explain to Dave why I was crying. I couldn’t explain it. It just kept happening. So I cried and cried and cried in the shower. I wondered how I was ever going to be able to stop. And then I remembered E telling me that her heart was singing.

“Would it sound like a robin?” a voice in my head wondered. I was so surprised by the thought, which didn’t even seem to be mine, that I stopped crying. And I started thinking about my next sculpture.

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I always knew that someday I would make one with a bird inside it. I didn’t know until that moment that the bird would be E’s heart.

Before I placed it in its cage, I took it to her office to show it to her. She held it and fussed over it for a long time. It was her turn to cry, and my turn to grin until my face almost fell off.

Everything she said about it was something I might have said about her. It might have been the best moment I’ll ever have as an artist.

mud season

I finished that little comic I started working on in February, and re-drew all the panels on one of those printed canvases. Drawing on canvas with a fine-point Sharpie is a little like driving on a muddy road. The pen gets thrown around and makes a wobbly line.

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Ray Bradbury said, “The important thing is to explode with a story, to emotionalize a story, not to think it… If you start thinking, the story’s gonna die on its feet. You either feel a story and you need to write it, or you’d better not write it.”

I gave a lot of thought to the structure of this thing, but the first thing I did was feel it explode in my heart. I don’t expect anyone else to feel it. I am not that good a storyteller. But I still feel it, and am glad to have written it.

What I feel:

dim fumbling fishy thoughts,

heartbreak,

intermittent mind-blowing joy,

the itch of new feathers.